If you’ve been around here a while you’ll have spotted that music is pretty important to me (yes, glam metal counts as music) and you may remember me getting excited about running across a project called The RS500, where each week they’re posting two pieces of fiction or non-fiction in response to Rolling Stone magazine’s top 500 albums. Today my own contribution is up, a short story inspired by John Mayall’s Blues Breakers album with Eric Clapton, which you can read by following this link. But not before you finish reading this post, obviously.
My dad’s actual 51-year-old copy of the LP
It’s quite a melancholy story which, as the editor said, kind of fits with the tone of the record so that’s ok. I listened to the album on repeat on Spotify while I was writing it, mainly because the LP was miles away in my dad’s record stash (and I wouldn’t dare touch it – look at how pristine it is! Zoom in and you can see one small crease). The aim was to infuse the story with some of the feeling of the album but I did keep getting lost in the music and downing tools for a while. I thought back to my early encounters with this LP as a child in the eighties, and then thought about the context of my dad buying the album twenty years previously (1966, though apparently he saw them perform in ’67 or ’68, which I guess was post-Clapton). If you want to look back on the era of peace and love with a sort of melancholy nostalgia, I can think of no better vantage point than the Thatcher years, and slap bang in the middle of the Falklands war seemed particularly suitable. Hence the story is set in 1982 (not explicitly stated but Falklands and Fun Boy Three references are there for the sharp-eyed).
I confess I did steal the non-anecdote (and family legend) of seeing Eric Clapton in a bar from my dad (“And?” “And he was probably buying a drink”). However, regulars here will also know that he did read to me a lot so there’s not much crossover with the main character. I should also thank him for taking a photo of the record sleeve and emailing it to me as though that was a perfectly normal thing for me to request.
So, now you know the background, and I bet you’re dying to read the only story you’ll encounter this week (probably) with the word ‘antimacassar’ in it, so for ease of clicking, here’s the link again. Enjoy.
Borrowed from my brother, naturally
I’m reading my first rock autobiography of the year and I start wishing I could write fiction as raw and truthful and powerful as a Bruce Springsteen song, that would last as long in the head and the heart, and I stick one of Big Brother’s cast-off tapes in the cassette player in the kitchen and Thunder Road kicks in and my heart soars and I’m twelve again and buying a second-hand Born To Run LP to play on Sister Number One’s hand-me-down record player, and I’m nineteen and clinging to Born in the USA when my peers are telling me it’s not cool, and I’m thirty-five and BB’s handing over the Springsteen tapes he’s replaced on CD and I’m rediscovering that feeling of gritty bluesy rock n roll, and I want to phone BB and tell him how glad I am that he let me rifle through his record collection, and how much joy and catharsis all that music has brought me over the years, a liferaft and a battle cry and a manifesto. But I can’t, because I’m British and reserved, and what is more I’m a gruff northerner. Nevertheless… Nevertheless.
It was the Northern Short Story Festival on Saturday, courtesy of Leeds Big Bookend, and I went along to take part in the Flash Fiction Slam, a kind of competitive open mic. There are lots of photos here on Flickr including an unfortunate/amusing one of me with what can only be described as an expressive reading face on. Masses of variety on show, I was outclassed by Lynn Bauman-Milner doing a dark and intense take on Cinderella while I opted for The Invisible Woman, which you may have read here on Reflex Fiction recently. Neither of us won.
Mark the artist (who’d come along with OneMonkey to be supportive) and I ended up talking to the illustrator Simon Smith for ages. There are photos of that too, if you’re interested. Among other things, Si worked on Stories from the Forests of Leeds with Daniel Ingram-Brown, a genius idea where writers (amateur and otherwise) around Leeds created characters based on area names then developed stories around them. I would love to see a Bradford version (naturally) and if all else fails maybe Mark and I could initiate it ourselves. Hmm…
Coincidentally I was looking at an old map of Haltwhistle this week and the story ideas within the names on that sheet alone were fantastic: Hot Moss, Galloping Rigg, Baty’s Shield, Foul Potts, Clattering Ford, Windy Law, Foul Town, Crooks, New Angerton, Fairy Stairs, Witches House (ruin), not to mention at least 3 castles. I urge you to go look at the fabulous old Ordnance Survey maps there on the National Library of Scotland site, they’re amazing whether you’re interested in history, your neighbourhood, or quirky old places to build a story round.
Lastly, lest I forget, the International Women’s Day poetry pamphlets from Bradford Libraries are out now, with my poem in. Dead excited to get this through the post:
Since I know you don’t get enough of me writing about the North, and writing, and northern writing, there’s an article of mine over at Women Writers School about that very thing.
An anchor I saw in Cumbria, not the one that tethers me to the north
You’ll recognise it by the photo above, and my unbridled enthusiasm. And the mention of Luddites. Some of the other writers that Laurie Garrison has invited to add to her Literature and Place theme have covered exotic places like San Francisco and Bhutan so you can be an international jet-setter from the comfort of your armchair.
As ever, thoughts welcome. Do you love all my references to northern this, that and the other or do you sigh every time it comes up? Does fiction set in a place that’s familiar to you have an additional hook, or do you like reading yourself into places you’ll never visit? If you’re a writer too, is there somewhere that has that magic for you?
Some objects are full of stories. Take this small wooden gate:
Earlier this year I spotted it on a shelf in a local charity shop and couldn’t resist. Not unreasonably, OneMonkey asked why on earth I wanted it and what I was going to do with it. I just do, I said, and I’m going to put it somewhere and look at it – what else?
The truth is, it was the story behind the wooden gate that appealed to me. It’s the sort of thing my dad might make as trackside scenery for a model train (he builds the kind that actually run on coal, outdoors) but it’s an odd scale, the base-board is about a foot long. There was nothing similar on nearby shelves, it was in good condition and the gate opens, so: what did it get made for, and why did someone get rid of it? There’s the mundane explanation that it could have been a test piece for learning a particular woodwork technique, and once made it was just taking up valuable house room. That’s a bit boring though, and I’ve thought of lots of better ones in idle moments, but I assumed it was only me who was interested in it.
Sister Number One noticed at Christmas that I’d added the hedgehog and the mouse which have lived on my bookcase for many years. Big Brother then suggested I get a suitably sized rucksack and sit it on the stile, perhaps with a walking stick propped against it. And a pair of boots, he added. Boots? Yes, then we’ll wonder where the walker’s gone and what’s through the gate. And we all sat and looked at a second-hand model gate, and wondered.
Somebody please tell me how it’s December 5th. I’ve had the first listen to the old Metal Christmas tape, I’ve eaten half a dozen mince pies, but I’m not getting what you’d call festive. There is no tinsel in my heart. Of course this won’t surprise anyone that much if they’ve ever encountered me in December before, but I do try (sometimes) to feel the excitement and capture the magic. In a non-consumer-capitalist way, obviously.
Hat(s) courtesy Sister Number 1.
Closest I’ve got this year so far is via the fabulous sketches by Chris Mould for Matt Haig’s new children’s book The Girl Who Saved Christmas – he’s tweeting pages day by day I think. Incidentally, it looks like Chris Mould is from Bradford, which I honestly only noticed after I’d been bowled over by his illustrating style…
This week I’ve made two story submissions, and written nearly 6,000 words of the novel I was doing for NaNoWriMo (it got derailed so I’m giving it a bit longer). And read a lot of urban fantasy (which is relevant to the novel I’m writing).
Time to start thinking back on the (reading and writing) year, soon. How has yours been?
An afternoon stroll interrupted by dark lunar landscape. Swathes of burnt bracken and heather, an oasis of green and one unscathed tree. Why stop there? What’s so special about this grassy peninsula, tongue of flameless ground licking the slope?
One small step, as walking boots raise puffs of black, disturb the November smell out of place in summer sunshine, reminiscent of the fire-damaged stock in a long-closed second-hand record shop. One giant leap, crunching through dark crust like a bite into royal icing, like slicing into a macabre wedding cake. Do it again, sink into a pile of burnt twigs.
Bend to sift through ashy debris, looking for ready-to-use charcoal sticks to draw this scene later. Pick them up and they crumble to flakes. Hints of living browns and greens among the grey, as well as cracked and scorched eggshell.
Later, on the ridge, look down and see the tracks left behind.