When I read fiction, it’s kind of like watching a film in my head through a murky window – the events play out in my mind’s eye, but not with absolute clarity, though the voices are usually distinct. Often I’ll end up with a real actor playing the character, either because the physical description put me in mind of them, or because they’ve played a similar character in something I’ve seen. Jack Shaftoe in Neal Stephenson’s Baroque trilogy, for instance, is for whatever reason played by a young James Bolam.
Where I’ve seen a TV or film adaptation, the casting for the version in my head is more straightforward. Both Marlowe and Spade are forever Bogart thanks to The Big Sleep and The Maltese Falcon, I probably saw those films before I started reading either Chandler or Hammett. Hercule Poirot can’t be anyone other than David Suchet, again the TV adaptation might have just come to my notice before the books did. Maigret is a trickier one, however. I can no longer remember how I pictured Maigret, or how he spoke, when my dad first introduced me to a shelf of Simenon, but ever since we watched the TV adaptation in the early 90s, Maigret has been Michael Gambon whenever I’ve read the books. It’s with mixed feelings, therefore, that I read of Rowan Atkinson’s role as Inspector Maigret in two new TV films – I’m sure he’ll be good, I just don’t want to muddy the Gambonesque waters.
Interestingly (at least to me), OneMonkey doesn’t always read aloud/hear character voices in his head when he’s reading a book. Nor does he always picture the events being described. Naturally I assume I’m the normal one and he’s odd, but it would be fascinating to find out how other people read (as OneMonkey says, long descriptions of how a room looks are often wasted on him – as a writer am I generally wasting my time on that sort of thing or do most people get something from it?). Feel free to comment here and let me know.
I have a (flimsy) excuse for my long absence, I’ve been working on some exciting projects. As well as the continuing redrafting of the sci-fi noir, which is lurching along in fits and starts, I’ve spent a fair bit of time on preparations for a storytelling evening which may or may not happen this summer in York (you’ll be the first to hear about it if it does). I still need to write a sci-fi story to complete the package, which is looking like it will also contain myths, fairytales and one of my Luddite stories.
The other exciting news is that I should be starting to review books (and graphic novels) for the Luna Station Quarterly blog pretty soon. The moment the first one is up there, I’ll stick a link to it on here.
56-year-old Detective Harry Bosch is on his first case since moving to the LAPD Robbery Homicide Division. A medical physicist has been murdered, and the killer may have taken dangerous substances from him. The terrorism alarm bells start ringing and before Harry has chance to do much work, he’s saddled with the FBI and all the extra bureaucracy and secrecy (and frustration) that brings.
This was the first Michael Connelly I’d read, picked from a library shelf because I thought the name seemed familiar from a casual recommendation I’d had. I toyed with giving up on it partway through; it looked like a fairly stereotypical thriller with obligatory mentions of the Middle East, the twin towers plane-crashes, suspicion of Muslims, and an unrealistic-sounding threat that was only vaguely (if at all) understood by the police involved. It redeemed itself by the end by turning out to be more subtle, more intelligent, and more of a detective story than that, but I’m still not sure I’d read another.
I’ve read and enjoyed (as light entertainment) a few Elvis Cole novels by Robert Crais. The Overlook was set in the same sort of location, and other than Harry being a policeman whereas Elvis is a private detective, there was some similarity. A lot of driving around Los Angeles being a bit of a maverick, with the occasional mention of a traumatic experience in Vietnam, and more people than seemed strictly necessary getting shot. Elvis Cole spends his life circumventing the LAPD, Harry Bosch circumvents the Feds. Given this similarity I’m surprised I didn’t enjoy The Overlook more than I did, but I wonder if this (the 13th Bosch novel) was a bad place to start. Harry has a new boss, a new partner, and though he did encounter people he’d run across when he worked for a different division, I didn’t feel like I got much of an insight into his character. The events of the whole novel took place in less than 24 hours, perhaps not enough time to get to know him.
Interestingly, in the edition I read there’s a section at the end where Michael Connelly ‘interviews’ Harry Bosch. That was nicely done, and did give more of Harry’s background and personal life away, plus an insight into what really drives him. It’s a writing exercise I’ve come across a few times – interview your main character – but this shows that not only can it help the author nail the details of a character, presented to the reader it can help to make that character seem more real.
Looking at the top 10 list of fiction borrowed most often from Leeds Libraries in 2014, a few thoughts scudded across my mind (nothing too deep, I’m sleepy and full of cold right now). One was that they’re mostly authors who’ve been around for a long time (John Grisham, JK Rowling, Ian Rankin), another was that there’s a hefty dose of crime and thrillers on there, and the third was that there are a couple of authors with a Yorkshire background (Kate Atkinson, Peter Robinson). Which got me wondering how this sort of list varies across the UK – do crime novels with a local link prove popular everywhere? Are there places where you can see the influence of the Richard and Judy Book Club, for instance, or where it’s all Booker Prize longlisters and recommendations from the Guardian review section? How does it match up with book-buying habits (are we getting the Hmm, not sure but let’s see what all the hype’s about out of the library, and buying the ones we think we’ll treasure)?
As I don’t have the answers to any of that (though I’d be interested if anyone else does – have I missed a similar top 10 list from Dorset library service this week?) I’ll merely note that I did read 3 of those authors last year (Peter Robinson, Kate Atkinson, and Michael Connelly) though not the books mentioned, and all borrowed from the Library of Mum and Dad rather than Leeds.
My most-read authors of 2014 are (and this will tell you more than you need to know about me, I’m sure):
One of the nineteenth century novels I read in 2014 and am now trying to get away from, New Grub Street was a book I’d heard of but knew very little about, except some vague connection to the Radio 4 comedy Ed Reardon’s Week. I have a feeling it was a Guardian article that finally nudged me into downloading the ebook and diving in.
As an entertaining character study, Jasper the ambitious carefree hack (he will essentially write anything for anyone as long as they pay him well and/or provide useful connections) is amusing in a thoughtless, I’m alright Jack sort of a way. Edwin Reardon, his contrasting best friend, is a wonderful caricature of the moody, introspective, ‘artistic’ writer, waiting for his muse and harping back to a critically-acclaimed novel or two that he wrote in his youth. Beyond that, however, lies just another Victorian romance, and I felt it descended rather towards melodrama as it neared the end.
There is, naturally, the loyal girl who gets thrown over – a doormat of the first order who exasperated me quite early on. There is also Edwin’s heartless, selfish, entirely unsympathetic wife (can you tell I wasn’t keen on her either?), though she at least was interestingly modern in her musings on the idea of a woman leaving her husband and starting a new life. There is noble poverty, and desperate illness, and the odd death and wedding.
If you are a writer, or live among writers, New Grub Street will amuse you with its observations about tit-for-tat reviewing, the triumph of luck and networking over talent, and various other features of the life that every generation of writers seems to think it’s the first to experience. If you’re looking for a good Victorian romance, however, you’d do better to pick yourself a random Anthony Trollope instead.
How can it possibly be 2015? We’re so far into the realms of sci-fi settings that life seems perpetually surreal in its mundanity. And yet I’m still reading nineteenth-century novels.
Totting up my list of books read in 2014, I realised more than a quarter of them were old enough to be available as public-domain ebooks (mostly 19th century but a couple of early PG Wodehouse). Only 4 books I read last year were first published last year, and one of those was non-fiction. No surprises then that my unofficial resolution for this year is to read more newly-published fiction. Of course, I’m already failing in that regard by reading a graphic novel from 2010 at the moment, and having 1 novel and 1 story collection from 2014 left over on the To Read shelf, not to mention the 2004 novel I just bought as an ebook. But once I’ve read all them, I’ll get right down to the 2015 newbies.
Does the fact that I’ve missed two Wednesday posts without noticing tell you how well-organised I am at the moment? My body clock is still set to October, and waking up to Christmas morning next week is going to come as something of a shock. Last Wednesday I got to within 3 pages of the end of a book on the way home and picked up a fresh one for the morning commute, thinking I’d read those last few pages later. I still haven’t, and memories of the preceding story are beginning to fade. That’ll be one more item to add to the list of things to do during my two weeks off work; it’s already physically impossible to fit them all in.
As I wander off to make another cup of tea, grab a mince pie and look for the list that tells me where all my lists are, I’ll take the opportunity to wish my readers (both the regular and the just-stopped-by) a Merry Christmas, or other winter festival of choice, in case I don’t get round to the next two Wednesday posts either. I hope you get all the books you wanted, or a book token, or a new friend with a well-stocked library (not as a Christmas present, I more sort of meant making friends at a party or during a long wait at a cold bus stop).