As National Short Story Week hurtles to a close, you can read a new story of mine in issue 1 of The Cabinet of Heed. I’m in good company, with stories in there from Steve Campbell, the editor of Ellipsis Zine, and the freshly Pushcart-nominated Stephanie Hutton. My contribution is called Tom’s Bottom Drawer, and is a fantasy story that sprang from a long-ago conversation with a couple of writer friends about putting a novel away in a drawer and letting it ferment.
It being National Short Story Week, you won’t be surprised to hear that I’ve got… an essay about the purpose of education out today (it’s ok, I’ve got a story coming out at Cabinet of Heed on Wednesday). Regular readers will have experienced my passionate views on education before but I’ve summarised a strand or two in Why bother with education? which is my entry to this year’s NUHA Foundation blogging prize.
The topics this year for the prize were:
- “Nearly all men can stand adversity, but if you want to test a man’s character, give him power.” – Abraham Lincoln. Do you agree?
- “Nobody realises that some people expend tremendous energy merely to be normal.” – Camus. Discuss.
- Should the role of education be to prepare students for working life, or to broaden their mind?
- “No book is really worth reading at the age of ten which is not equally – and often far more worth reading at the age of fifty and beyond.” – C.S. Lewis. Discuss.
Since I suggested topic 3 to them on Twitter earlier in the year I had to pick that one really, though I could have gone to town on topic 2 as well. I haven’t read the higher education bits of The Guardian much since I quit the day job a year ago but by then I was already sick of hundreds of comments (and a few articles) that saw university education in particular as essentially pre-work training. Will it get you a job? Will it increase your salary? Is it applicable in the workplace? Never: Will it give you pleasure? Will it widen your horizons and introduce you to new ideas, lead you to make new connections?
I’m not saying everyone should study every available subject and like it, there were plenty of subjects I couldn’t stand at school and wouldn’t study now. I am saying life can be richer if you’ve studied a variety of things, whether through books, BBC documentaries, or a formal course, and that as an added bonus it probably helps you at work too.
The aim of the blogging prize is to spark debate, so go along and read the essays (particularly mine, obviously: Why bother with education?) then leave your own views.
To celebrate Short Story Week we will be focusing on really short stories – Twitter Fiction – It’s great fun and some top authors have even had a go.
Ian Rankin – I opened the door to our flat and you were standing there, cleaver raised. Somehow you’d found out about the photos. My jaw hit the floor.
Tag us in your Twitter Fiction on Twitter @bradfordlibs247 before Monday 13th and we’ll show them on the Big Screen in City Park.
There will also be a……..
Twitter Fiction Workshop
Saturday 18th November 1pm.
Can you write a story that fits in one tweet? Come and write the shortest stories you can tell. We’ll look at playing with assumptions, reading between the lines, and editing a paragraph down to its essence. Any genre you like, you can also use pictures and emojis to help tell the…
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I bought my first brand new full price paperback novel in a long time, at the weekend (written by a friend, released by an indie publisher), and it got me thinking about how and where I get my reading material, and whether the author gets anything out of it.
Last week I was discussing e-book pricing with a selection of strangers on Twitter. Sam from Lounge Books pointed out that readers are now used to paying less for e-books than paperbacks:
I then commented that you can’t get second-hand e-books, so for those of us used to charity shop prices, even a discounted paperback price for an e-book can seem unusually high. Libraries, as usual, are the answer – the author gets a payment, the reader gets it for free (covered by some tax they’d have to pay anyway). But do I practice what I preach?
If in doubt, make a chart. First I looked at books I’d read so far this year, and where I got them from (strictly speaking Library of Mum & Dad this year actually means Big Brother). I’m only looking at books I’ve read the whole of, so if I gave up on it (like the book I took back to the library on Friday morning after 3 chapters), or read only part of a collection or reference book, it’s not counted. Neither do I count audio books.
What we can see from this is that more than half the books I’ve read so far this year haven’t directly contributed to the author’s earnings. I say directly because you could (if you were grasping at straws) argue that all those review copies generate a review that drums up sales or library borrowing. So am I always this bad?
Er, pretty much, yes. I bought a few e-books in 2016/17 because I got a Kobo voucher for Christmas 2015 (so should they all be under gifts?) and I watched for special offers and made that voucher stretch as far as I could. Even the gifts aren’t always bought new, as we often give each other second-hand books in my family (including friend T), though I have bought a few new books to give to other people over this time period. Free e-books are mainly the out of copyright variety though one or two were special offers (and one was a digital textbook that came with an online university course).
In my defence, when I buy second-hand books it’s almost always from a charity shop, so at least some charity benefits rather than a private vendor. And if there’s a copy of a book I want to read available in the Library of Mum & Dad, it would seem rude not to borrow it. I’m not about to give up the thrill of getting books through the post, either, often before they’re out there in bookshops. Maybe I could wean myself off the discount e-books, however, and borrow more from the library, as I understand authors get more cash that way.
A promise to frequent the local library more? That shouldn’t be hard to keep. Who’s with me? Last one to the issue desk buys the tea and biscuits…
This is what my contributor copy of One from Ellipsis Zine looks like, on my living room carpet (which is more Dairy Milk purple than it looks in the photo). I was just a tad excited when this slim volume of 57 stories arrived as it has work by some of the most frequently-published flash authors inside. I’m pacing myself, however, so I’ve only read the first dozen so far and there are already some flash gems in there. Mine (which is called Abandoned, and is about kids exploring an abandoned house) is much later in the book.
The theme of ‘one’ has been interpreted so widely that it’s easy to forget there is a theme – I take that as a good sign. If you want more information or to buy your own copy, go to the Ellipsis Zine website. Hurry, before the stock runs out.
I’ve been inadvertently quiet for a couple of weeks. So busy editing the SF noir novel and reading books that I forgot to blog. To those of you who missed me: sorry. To those of you enjoying the respite: tough, I’m back.
I’ve got a couple of book reviews out there that you might not have seen, and they’re all great novels. First was Wychwood by George Mann, he of the Newbury and Hobbes series of occult Victorian steampunk mysteries. This novel is the start of a new series of contemporary police procedurals, also with an occult twist. You can read my review at The Bookbag.
Then I read We Are The End, the debut novel by Chilean writer Gonzalo C Garcia. Really it’s about being young, feckless and in love, but it has a flavour of computer games and rock music so maybe if you enjoyed the film Scott Pilgrim vs The World you might particularly appreciate it. Anyway you can read my review at Disclaimer magazine.
Yesterday I finished Senlin Ascends by Josiah Bancroft, a big-publisher reissue (out in January 2018) of a fantasy novel he self-published a few years ago. It’s the first in a series, located in the fabulous setting of the Tower of Babel where a small-town headmaster has become accidentally separated from his wife on their honeymoon, and I’m itching to read book two and find out what happens next. You can read my review of it at The Bookbag.
As if that wasn’t enough, I’ve got flash fiction in an actual print anthology from Ellipsis Zine, which you can buy here if you feel like it (I get royalties…). The book is full of work by the serially-shortlisted of the flash world, the names that crop up again and again, and I can’t wait to get my hands on my free copy. I’m in seriously good company.
This week I’ve also been plotting and planning with Andrea and Roz, my friends from Ilkley Writers who you’ll have heard on the radio programme we did about libraries in April. An audacious idea for a library-based writing festival grew out of that programme, and yesterday we agreed on a final form for said festival, with our lovely contact at a local library. When we know whether the library’s funding bid has been successful (sometime before Christmas, we hope) we’ll know what scale our festival will be on, and I’ll tell you more about it. Until then I’m fizzing with excitement at the thought of getting people writing, getting people into libraries, and adding further evidence to Why Libraries Are A Good Thing.
Everyone has something to teach. Yes, that includes you. It might not be unique to you, it might not be earth-shattering, you might have read it somewhere else in the first place, but you can pass it on and someone else will find it useful (not necessarily the person you’re passing it onto right now, but that’s another story).
Last week a newsletter from writer, editor, mentor, writing coach Rachel Thompson exhorted us all to become mentors, particularly if we’re looking for mentoring ourselves. The point she was making was that even if you’re not doing brilliantly, there will be writers who haven’t reached your level yet who might benefit from a helping hand (or a critical but encouraging word). Even if you’re an absolute beginner, passing useful tips around writers at a similar level is a good thing.
Are you teaching other writers? Rachel Thompson asked. Well, yes I am (and sometimes I chuck out some writing advice in this blog) but I still get the ‘who am I to talk?’ doubts. It’s good to remember that teaching or mentoring doesn’t mean you have to be a superstar in your field, or have all the answers. As long as you’re at least one step ahead of the person (or group) you’re trying to help, they’re going to gain something from you. And you don’t have to be at the same level in every aspect, as this audio diary from Tania Hershman illustrates.
Tania Hershman writes short stories and, more recently, poetry. In the audio diary (a week in the life of a writer who’s not writing much at the moment because her new book’s just come out) she mentions being a mentor for a couple of short story writers, and knowing what she’s looking for, what to suggest, in a way that she wouldn’t have been able to ten years ago. She then says that to do the same for poetry might take her another ten years, because she doesn’t have much experience in it yet. I can immediately see the sense in that, but it was refreshing to hear. Being a novice at novels doesn’t mean I don’t have plenty to offer in flash fiction, for instance.
As if to illustrate this point, up popped an interview at Zero Flash with Chris Drew, a flash fiction writer who’s a well-known name among flash aficionados on Twitter, and hopefully beyond. With the usual drawerful of abandoned novels, he changed writing tack and took off. He’s only been submitting flash fiction for about eighteen months, but he’s already successful and has advice to share with new writers.
So come on, writers (artists, musicians, family historians…) think of something you can do to help the people following you. It might give you some insight into your own work at the same time.