Writer as performer

The last week or so it’s all been about performance. On May 17th I read some stories at the All Ears Listening Club in Ilkley, alongside Andrea Hardaker and David Hesmondhalgh. At first it seemed quite daunting – a couple of rooms of music enthusiasts had gathered for their regular fix and we were not there to give them those kind of sounds. The music was loud and the conversations were louder. I fell silent as I felt every word I tried to bellow scorching my throat, and I had a sudden fear of standing up to read later and simply croaking. Then eventually the three of us were introduced and it was absolute hear-a-pin-drop quiet, so fast that I was looking for the mute button someone in charge had clearly pressed. All eyes (and ears) on us, and no-one knowing quite what to expect. I read four pieces with some kind of musical connection (you can listen to Summer of ’96 here, you might already have read it at the Fiction Pool. You can read The Lesson at Ellipsis Zine, too) and they seemed to go down well. We’re already talking about reading together again somewhere, maybe with musical accompaniment.

Last weekend Alice Courvoisier and I sat down to plan the order of the York Festival of Ideas event we’re doing with Alice’s friend Carolyn in a couple of weeks. I guess it’s largely the history and philosophy of science (mainly physics, because that’s what we collectively know the most about). It’s on June 14th and tickets are free.

As if that wasn’t enough, Ilkley Writers (or some of us anyway: Jane Cameron, Emily Devane, Andrea Hardaker, David Knight-Croft, Patrick McGuckin, Rosalind York and me) are reading at the Purple Room event at the Wheatley Arms in Ben Rhydding on June 28th 8-10pm (tickets £5 on the door). We’ve been paired with Lisa Marie Glover and there should be four sets (two music, two spoken word) over the course of the evening. Just as long as I don’t lose my voice over the next month…

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