In between watching live streaming from this year’s Wacken festival, OneMonkey has been working on our new comic. It’s an adaptation of my short story Waiting for Boothroyd (which you can read in my SF collection Cracks in the Foundations).
OneMonkey has done lettering, odd bits of artwork, and general editing/layout/adding brilliance for Ostragoth’s previous comics, but this time he’s taking on all art-related duties. To the backdrop of a Saxon gig I asked him why, how, and all those kinds of things.
I dabbled a bit last year and I thought I’d got the lettering I needed but I couldn’t get the character style right so I put it to one side. Coming back to it this year I hit on a good character design but that didn’t work with the previous lettering at all so I had to go back to the drawing board on that.
The character design is still under wraps because it may well change (I think it’s good, but I guess I’m slightly biased).
Thinking back to the odd 60s cartoons I used to watch, I wanted something along those lines. I saw a couple of what turned out to be Saul Bass-inspired fonts and they were close but not quite right. So I started from scratch, roughing out the outlines in the gimp then creating the vectors in Inkscape.
He’s like that. He sat and drew then re-drew all the letters until he was happy (a couple of days later). But now we have something unique.
Waiting for Boothroyd is planned to be a dynamic svg comic but we’ll have to see how that turns out. Not like I’ve ever done one before.
That doesn’t usually stop him. I for one am eagerly awaiting the completion of this version of Waiting for Boothroyd. I’ll keep you posted here.